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Bay e.p.:
When the Tide Goes Out e.p.:
The tracks were composed during the first half 2008 using various audio software including Audiomulch, and Reason. The tracks selected for this release attempt to create a dense and complicated oceanic layer of sound while maintaining a loose sense of melody drifting beneath the surface.
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Music recorded in 2006 in a small town by the Irish Sea.
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Recorded mid 2005 in a small town by the Irish Sea. Original loop created around 2000 in Poland.
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All tracks recorded and mixed by Durán Vázquez on 2007. The most of the sound materials are night soundtakes from the streets of Vigo.
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Recorded in 2007.
Special thanks to: Aina, Nicolay, Jorgen, Pawel and Jonathan
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Bonus Material:
A re-release of Pawel Grabowski second material from 2003, originally released by the first Silence Is Not Empty (when the label was releasing cd-r’s) in a limited edition of 100 copies in handmade covers.
This material is Pawel Grabowskis only affair with improvised music. All music has been recorded live using Ableton Live, few GigaBytes of field recordings and a broken violin amplified up with contact microphones.
The release features bonus material (not featuring on the original cd-r edition), a recording of the full live set from Mardid, Cruce Gallery, on the 14th of February 2004….yep, the valentines day…well…
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This re-release brings the very first solo release of Pawel Grabowski, recorded 2 years after MiastoNieSpalo members parted their ways.
This first solo material brings two compositions built around recordings of percussion cymbals and field recordings.
The whole material was recorded in a studio in may 2002.
Bonus material features “Er”, an outtake from Diarakth sessions and also a part of a larger ballet piece (never completed though)
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Second and final MiastoNieSpalo release, which title would translate to “Threnodies I-VII”, originally released by Obuh records in 2000. This material has been precomposed and recorded live in the studio.
This re-release comes with new liner notes written by all three members of the group in 2007!
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This re-release brings the first MiastoNieSpalo material, recorded live in Poland in 1998 and originally released by the band as a tape and later on as a cd-r. Both formats are long sold out.
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The titles of “Souvenir d’ermitage” already indicate that even a happy present will carry the burden of the past. Behind the smile of a loved one, ineffaceable memories will always hide. Which is not to say that I consider depression to be a normal state or that I would call myself a pessimist. Simply, we are a composit formed from the clay of time. Although I conceived this music to be harmonious, “Souvenir d’ermitage” is not only a statement of beauty. Rather, it is an allegory. Or a testimony to the two-sided nature of love. After all, it is thanks to pain that we’ll find the things we have always been searching for.
Composed, Performed and Arranged by Tobias Fischer, April-July 2006
Artwork by Mirko Uhlig
For Sonja
Thanks to Pawel
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Beautiful dark ambient soundscapes.
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“This material is my first attempt to write shorter tracks, although keeping the same illustrative way of building up the tension in the piece. The whole music here is conceived as just short impressions, miniatures presenting the same mood from different points of view, thus the word “notes” in the title…”
Recorded between november and december 2005 in arh studio, dublin.
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“As with most of our hard drive compositions, these pieces incorporate sound produced over a somewhat long period of time, 42 from 2002 to 2005 and 44 from 2004 to 2005″
Thanks to Pawel, Miquel, Joe and Douglas E.
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Entitled “Santas Only Lap of Luxury” this compilation was released to celebrate Santa Clause’s Day and brought together artists recording for us. The compilation was available online from 6th till 31st of December 2005, after that the files were deleted from the server.
Many thanks to those who downloaded the music and many thank you’s for all emails with warm words on the music.
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“These tracks are about the old boat house in Steines, Norway where my grandparents and my mother used to live, and the sea that her father worked on as a fisherman. There was no road there then, so they had to row for several hours just to get to the shop. I used to play there a lot when I was a child. I don’t know if my music is about my grandparents…or my mother…maybe I’m diging in my own childhood…maybe it’s all this…a history of a family by the coast…”